Preparation for conservatory 2017-2018
Artes Escénicas Rebollar

Preparation for conservatory 2017-2018 IN PERFORMING ARTS REBOLLAR

The guitar has offered me the ability to speak with the rest of the world without using the word.”

Paco de Lucía

INTERMEDIATE DEGREE

The main objective is train people interested in the knowledge of the musical language. This is both for the development of personal enjoyment or for their training as a professional musician instrumentalist or vocal. You will prepare for the entrance exam of the Middle or Higher Degree of the Superior Conservatory of Music with this teaching.

INTONATION AND RHYTHM
  • Reading in the key of G and Fa.
  • Extent compases binary, ternary, simple and compound.
  • Changes of compás and equivalence of figures.
  • Joints rítmicas.
  • Groups of valoración special.
  • Abbreviations and repetitions.
  • Entonación in key Sun in tonality greater or less.
  • Modulación to ringtones neighbors.
  • Mode Change.
  • Unintended alterations.
  • Cromatismos and flourishes.
MUSICAL DICTATION
  • Play by writing a piece of music heard.
  • Correctly identify the compás and armor of the tone.
  • Write unintended alterations.
  • Correctly enter the pace and melodía.
THEORY.
  • Intervals simple major, minor, augmented and diminished. Inversión of intervals.
  • Scales diatónicas older and younger: construcción e identificación of the four types of larger scale and minor.
  • Major and minor tonalities until 7 alterations. Armour of the shades. Tones neighbors or relating armónicos.
  • Tones homónimos.
  • Modulación to the tones neighbors.
  • Degrees of the scale. Degrees and tonal manners.
  • Alterations own, accidental and precaución. Alterations doubles.
  • Semitone diatónico and cromático. Enarmonía and unísono.
  • Análisis of compasses: subdivisión binary and ternary. Pulse unit, fracción and compás. Measures of amalgam.
  • Equivalencies rítmicas.
  • Groups of valoración special: groups surpluses and deficient.
  • Chords tríadas: construcción e identificación chords Perfect Major, minor, 5to increased and 5a decreased.
  • Terminología music: agógica, dinámica, términos of carácter. or signs of acentuación and articulación.
  • Signs of repetición, abreviación and phrasing.

HIGHER DEGREE

ANALYSIS OF THE FLAMENCO MUSIC.
  • Technical, formal, Harmonic, aesthetic, pedagogic and stylistic analysis of a score flamenca.
  • Recognition of chords and modulations.
  • Recognition of the various techniques used in the flamenco guitar in written form.
  • Identification of falsetas.
  • Biographies of the main authors.

(the student previously must read and write música perfectly)

THEORY OF FLAMENCO.
  • Know the elements basic flamenco music, in all its parameters, rhythmic, melodic, Harmonic, and formal, always from a point of view historical.
  • Recognize the styles of the flamenco, complex generic and variants of each one based on the knowledge of their characteristics music.
  • Study of the structures musical of the Flamenco.
  • Hearing, interpretation and identification of the different styles and their variants.

GIVEN BY THE PRESTIGIOUS GUITARIST PEDRO RAMIREZ

Born in 1987 and with only 10 years begins their studies music in the Conservatory elementary of Triana with the specialty of guitar classic.

Once completed the elementary level his musical training continues the half degree specialising in flamenco guitar at the professional Conservatory of music “Cristóbal de Morales”, Sevilla.

Recently has been entitled by the Conservatory Superior of music “Rafael Orozco” in Cordoba with the grade top of guitar flamenco. Of their most prestigious teachers it may be appointed Antonio Duro, Manolo Franco, Eduardo Rebollar “El Niño Pura”, Paco Cortés, Pedro Sierra, among many others that have brought improvement in his touch.

Has worked in major theaters in Europe with María Serrano or Alba Rey dance companies. Both your training and work experience have made it become a connoisseur of all styles of flamenco as well as other music such as Jazz or the bossanova.

Currently is found occupying the square of Professor of guitar Flamenco in it school Municipal of music of Sanlúcar it greater.

DESIGNED FOR YOU

LEVEL INTERMEDIATE

Intonation and rhythm.
Dictation and music theory

LEVEL HIGH

Analysis of music
Flamenco. Theory of flamenco

Name(required)

E-mail (required)

Telephone

Subject (required)

Menssage

Preparation for conservatory 2017-2018
Artes Escénicas Rebollar

Preparation for conservatory 2017-2018 IN PERFORMING ARTS REBOLLAR

The guitar has offered me the ability to speak with the rest of the world without using the word.”

Paco de Lucía

INTERMEDIATE DEGREE

The main objective is train people interested in the knowledge of the musical language. This is both for the development of personal enjoyment or for their training as a professional musician instrumentalist or vocal. You will prepare for the entrance exam of the Middle or Higher Degree of the Superior Conservatory of Music with this teaching.

INTONATION AND RHYTHM
  • Reading in the key of G and Fa.
  • Extent compases binary, ternary, simple and compound.
  • Changes of compás and equivalence of figures.
  • Joints rítmicas.
  • Groups of valoración special.
  • Abbreviations and repetitions.
  • Entonación in key Sun in tonality greater or less.
  • Modulación to ringtones neighbors.
  • Mode Change.
  • Unintended alterations.
  • Cromatismos and flourishes.
MUSICAL DICTATION
  • Play by writing a piece of music heard.
  • Correctly identify the compás and armor of the tone.
  • Write unintended alterations.
  • Correctly enter the pace and melodía.
THEORY.
  • Intervals simple major, minor, augmented and diminished. Inversión of intervals.
  • Scales diatónicas older and younger: construcción e identificación of the four types of larger scale and minor.
  • Major and minor tonalities until 7 alterations. Armour of the shades. Tones neighbors or relating armónicos.
  • Tones homónimos.
  • Modulación to the tones neighbors.
  • Degrees of the scale. Degrees and tonal manners.
  • Alterations own, accidental and precaución. Alterations doubles.
  • Semitone diatónico and cromático. Enarmonía and unísono.
  • Análisis of compasses: subdivisión binary and ternary. Pulse unit, fracción and compás. Measures of amalgam.
  • Equivalencies rítmicas.
  • Groups of valoración special: groups surpluses and deficient.
  • Chords tríadas: construcción e identificación chords Perfect Major, minor, 5to increased and 5a decreased.
  • Terminología music: agógica, dinámica, términos of carácter. or signs of acentuación and articulación.
  • Signs of repetición, abreviación and phrasing.

HIGHER DEGREE

ANALYSIS OF THE FLAMENCO MUSIC.
  • Technical, formal, Harmonic, aesthetic, pedagogic and stylistic analysis of a score flamenca.
  • Recognition of chords and modulations.
  • Recognition of the various techniques used in the flamenco guitar in written form.
  • Identification of falsetas.
  • Biographies of the main authors.

(the student previously must read and write música perfectly)

THEORY OF FLAMENCO.
  • Know the elements basic flamenco music, in all its parameters, rhythmic, melodic, Harmonic, and formal, always from a point of view historical.
  • Recognize the styles of the flamenco, complex generic and variants of each one based on the knowledge of their characteristics music.
  • Study of the structures musical of the Flamenco.
  • Hearing, interpretation and identification of the different styles and their variants.

GIVEN BY THE PRESTIGIOUS GUITARIST PEDRO RAMIREZ

Born in 1987 and with only 10 years begins their studies music in the Conservatory elementary of Triana with the specialty of guitar classic.

Once completed the elementary level his musical training continues the half degree specialising in flamenco guitar at the professional Conservatory of music “Cristóbal de Morales”, Sevilla.

Recently has been entitled by the Conservatory Superior of music “Rafael Orozco” in Cordoba with the grade top of guitar flamenco. Of their most prestigious teachers it may be appointed Antonio Duro, Manolo Franco, Eduardo Rebollar “El Niño Pura”, Paco Cortés, Pedro Sierra, among many others that have brought improvement in his touch.

Has worked in major theaters in Europe with María Serrano or Alba Rey dance companies. Both your training and work experience have made it become a connoisseur of all styles of flamenco as well as other music such as Jazz or the bossanova.

Currently is found occupying the square of Professor of guitar Flamenco in it school Municipal of music of Sanlúcar it greater.

Name(required)

E-mail (required)

Telephone

Subject (required)

Menssage

Preparation for conservatory 2017-2018
Artes Escénicas Rebollar

Preparation for conservatory 2017-2018 IN PERFORMING ARTS REBOLLAR

The guitar has offered me the ability to speak with the rest of the world without using the word.”

Paco de Lucía

INTERMEDIATE DEGREE

The main objective is train people interested in the knowledge of the musical language. This is both for the development of personal enjoyment or for their training as a professional musician instrumentalist or vocal. You will prepare for the entrance exam of the Middle or Higher Degree of the Superior Conservatory of Music with this teaching.

INTONATION AND RHYTHM
  • Reading in the key of G and Fa.
  • Extent compases binary, ternary, simple and compound.
  • Changes of compás and equivalence of figures.
  • Joints rítmicas.
  • Groups of valoración special.
  • Abbreviations and repetitions.
  • Entonación in key Sun in tonality greater or less.
  • Modulación to ringtones neighbors.
  • Mode Change.
  • Unintended alterations.
  • Cromatismos and flourishes.
MUSICAL DICTATION
  • Play by writing a piece of music heard.
  • Correctly identify the compás and armor of the tone.
  • Write unintended alterations.
  • Correctly enter the pace and melodía.
THEORY.
  • Intervals simple major, minor, augmented and diminished. Inversión of intervals.
  • Scales diatónicas older and younger: construcción e identificación of the four types of larger scale and minor.
  • Major and minor tonalities until 7 alterations. Armour of the shades. Tones neighbors or relating armónicos.
  • Tones homónimos.
  • Modulación to the tones neighbors.
  • Degrees of the scale. Degrees and tonal manners.
  • Alterations own, accidental and precaución. Alterations doubles.
  • Semitone diatónico and cromático. Enarmonía and unísono.
  • Análisis of compasses: subdivisión binary and ternary. Pulse unit, fracción and compás. Measures of amalgam.
  • Equivalencies rítmicas.
  • Groups of valoración special: groups surpluses and deficient.
  • Chords tríadas: construcción e identificación chords Perfect Major, minor, 5to increased and 5a decreased.
  • Terminología music: agógica, dinámica, términos of carácter. or signs of acentuación and articulación.
  • Signs of repetición, abreviación and phrasing.

HIGHER DEGREE

ANALYSIS OF THE FLAMENCO MUSIC.
  • Technical, formal, Harmonic, aesthetic, pedagogic and stylistic analysis of a score flamenca.
  • Recognition of chords and modulations.
  • Recognition of the various techniques used in the flamenco guitar in written form.
  • Identification of falsetas.
  • Biographies of the main authors.

(the student previously must read and write música perfectly)

THEORY OF FLAMENCO.
  • Know the elements basic flamenco music, in all its parameters, rhythmic, melodic, Harmonic, and formal, always from a point of view historical.
  • Recognize the styles of the flamenco, complex generic and variants of each one based on the knowledge of their characteristics music.
  • Study of the structures musical of the Flamenco.
  • Hearing, interpretation and identification of the different styles and their variants.

GIVEN BY THE PRESTIGIOUS GUITARIST PEDRO RAMIREZ

Born in 1987 and with only 10 years begins their studies music in the Conservatory elementary of Triana with the specialty of guitar classic.

Once completed the elementary level his musical training continues the half degree specialising in flamenco guitar at the professional Conservatory of music “Cristóbal de Morales”, Sevilla.

Recently has been entitled by the Conservatory Superior of music “Rafael Orozco” in Cordoba with the grade top of guitar flamenco. Of their most prestigious teachers it may be appointed Antonio Duro, Manolo Franco, Eduardo Rebollar “El Niño Pura”, Paco Cortés, Pedro Sierra, among many others that have brought improvement in his touch.

Has worked in major theaters in Europe with María Serrano or Alba Rey dance companies. Both your training and work experience have made it become a connoisseur of all styles of flamenco as well as other music such as Jazz or the bossanova.

Currently is found occupying the square of Professor of guitar Flamenco in it school Municipal of music of Sanlúcar it greater.

Name(required)

E-mail (required)

Telephone

Subject (required)

Menssage